Zz top jesus just left chicago6/13/2023 ![]() ![]() In the early 1900s, many of the narcotics used in the South came from up North. Willie from Scottsdale, AzI have read the song is more about drug dealers than spirituality. ![]() The line about "the forests and the pines" in CA always seemed cryptic, but it may refer to Humboldt or Mendocino Counties. The title character's name may be better pronounced Hey-Zeus. Jim from Pleasant Hill, CaWillie, as much as I'm weary of songs about drugs and other vices, that analysis makes more sense than some quirky angle on religion.Who's more honest and hardworking than the Lord? ZZ Top talk many times of honest, hardworking folk in their songs. to get himself some comfort? R&R? BBQ? Though he keeps working at each point in between. ![]() I like to think that Jesus left Chicago full of blues and headed down to N.O. New Orleans is a city of recreation and sin, it's also home to a lesser known kind of blues.īoth of these before Blagojevich and Katrina, of course. J from Lx, PortugalChicago is home to a special kind of blues.Jim from ChicagoThe song was about radio waves coming out of Chicago from WLS.Demento from TexasThere's more soul in New Orleans, and the "forest and the pines" are as likely a ref to East Texas, not far from New Orleans, as to anywhere in California.There is also a nod to "Aw, take me witcha man, when you go", a Little Walter shout from Waters' seminal "Louisiana Blues". Johnsson from WisconsinJJLC is about Muddy Waters who, as blues listeners know, went down to New Orleans to "get me a mojo hand".Maybe it’s just because we got out of town on time.” The original recording was Gibbons solo with co-writer Linden Hudson playing bass on a synth (and, yeah, that’s a drum machine), but when ZZ Top played it live, Gibbons and Hill would trade lyrics, making the tableau described in the song a sort of twisted ménage à trois that would confound even Freud. “And if not, whose was it? Well, fortunately that kind of pressure we’re not under. “Everybody asks if ‘Under Pressure’ was about a girlfriend of mine,” Gibbons told Spin in 1985. By the time he’s ready for a break, in the song’s bridge, he expects her to beat him up and leave him in a ditch when he tells her it’s over, but hey, such was the imaginary life of ZZ Top in 1983. All he’s capable of is trying to keep up with her predilections for French food, art museums, and having sex in cars while wearing London Fog slickers. “Tush” (1975)īilly Gibbons never explains how he hooked up with a hoity-toity dominatrix cokehead in the Eliminator hit “Got Me Under Pressure,” because she got him so stressed out. If the guy’s got good wine, it’s OK.” The way the song seamlessly segued into Hombres’ bar rocker “Jesus Just Left Chicago” as if nothing happened made for one of the best one-two punches in the history of road rock. The thing about a bus is who you have to sit beside. “You can meet some very unique people on a bus and in a bus station,” Hill told Spin in 1985. The Homeric track that opened their iconic Tres Hombres album starts with a thin, precise bluesy guitar lick and a tight, sighing drum line that foreshadows the band’s electro-blues era, setting up Gibbons and Hill to plead for compassion in concert: “Have mercy!” Gibbons goes on to explain they’ve been waiting for the bus all day, with a bottle of booze and some leftover scratch, but, horror of horrors, when the bus arrives, it’s “packed up tight.” Blues harp virtuoso James Harman takes a solo, and by the time the song finishes up, the ZZ guys are dreaming of getting a Cadillac someday (fast forward to Eliminator ). ![]() Poor ZZ Top, they just wanted to get home. ![]()
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